RESPONSE: I wanted to try a new technique which I learnt on a work experience; greenscreen. To have a classic track-in shot onto the car yet chroma-key in a moving background that would fall away as we get closer to the car. The floor would move considerably faster than the track-in, to give the illusion that we are covering a vast distance to reach the car. The car and crops were made as cruede cut out models with photo realistic prints and attached to rods so they could be moved towards a fixed camera. The background crops move back, and the foreground car and props move towards the camera to give an increased isolation effect on the car.
PROCESSES: Printing and gluing photographs to foamboard, attached rod structures to the base to allow smooth movement backwards and forewards across table.
